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How a Print is born.

Updated: 3 days ago


People often ask me what it actually looks like when I design a print for a brand. Most people imagine it begins with a sketch and ends with a beautiful pattern. But every print has a journey behind it- a process of observation, storytelling, experimentation, and refinement before it is ready to live on fabric. Here's what that process looks like, from the very first spark to the finished file.


1. The spark

Every print starts somewhere outside the studio, not inside it. It could be a flower I noticed on a walk, a bird I couldn't stop watching, a memory from a trip, or a piece of culture that stayed with me long after I encountered it. I don't design from nothing — I design from something I've felt or seen and wanted to hold onto.


2. The brief

When I'm working with a brand, this is where their voice enters the process. They come to me with a mood, a direction, sometimes just a feeling they want the collection to carry — and my job is to translate that into something visual. This is the exclusivity part of what I offer: the print isn't pulled from an existing library, it's built specifically around their story.


3. The making

This is where the real work happens — and where most of the time goes. I sketch, I experiment, I build out the motifs by hand before anything becomes digital. Then comes the part that takes real patience: turning individual motifs into a seamless, repeatable print. It has to flow endlessly, with no visible seams or awkward gaps, no matter how it's placed on a garment. Alongside that, I work through colorways — because the right print in the wrong colors can completely change how it feels.


4. The refine

Nothing is final on the first try. I go back, adjust scale, tweak spacing, reconsider a colorway that looked right on screen but not quite right on fabric. This stage is slower than people expect, but it's what separates a print that just looks nice from one that actually works across a full collection.


5. The reveal

And then — the moment I love most — the print is ready. Whether it becomes a co-ord set, a placement print with a border, or part of a larger collection, this is where all that early inspiration finally becomes something a brand can put into the world.

That's the honest version of how a print is born — part instinct, part patience, and always rooted in a story before it's ever rooted in a repeat.


— Mandeep


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